Caught between the beauty of his grandchildren and grief over a friend’s death, Frank Schaeffer finds himself simultaneously believing and not believing in God – an atheist who prays. Schaeffer wrestles with faith and disbelief, sharing his innermost thoughts with lyricism that only great writers of literary nonfiction achieve. Schaeffer writes as an imperfect son, husband and grandfather whose love for his family, art and life trumps the ugly theologies of an angry God and the atheist vision of a cold, meaningless universe. Schaeffer writes that only when we abandon our hunt for certainty do we become free to create beauty, give love and find peace.
read moreLiving the Questions, in association with Creatista Film and Photography, presents “let me be FRANK,” the traitorous turnabout of an evangelical heir apparent. Watch the trailer, and sign-up to be notified when the film is available for viewing at letmebefrankmovie.com.
read moreCaught between the beauty of his grandchildren and grief over a friend’s death, Frank Schaeffer finds himself simultaneously believing and not believing in God—an atheist who prays. Schaeffer wrestles with faith and disbelief, sharing his innermost thoughts with a lyricism that only great writers of literary nonfiction achieve. Schaeffer writes as an imperfect son, husband and grandfather whose love for his family, art and life trumps the ugly theologies of an angry God and the atheist vision of a cold, meaningless universe. Schaeffer writes that only when we abandon our hunt for certainty do we become free to create beauty, give love and find peace.
read moreAuthor Schaeffer (Keeping Faith) adopts a feisty tone in this essay about evangelical Christianity and aggressive atheism. In the first half of the book, he rebuts justifications from both sides, taking aim at the ideas of such celebrity atheists as Richard Dawkins as well as religious leaders like Rick Warren. Schaeffer asks each side to allow for an evolving religion in which allegory takes precedence over literalism. In the second half, he gives space for his own memories, recalling moments that led him to a middle path of “hopeful uncertainty.”
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